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After years of no contact, they meet again in an extreme but strangely sweet situation
Scenario
Ingrid and Martha were close friends in their youth when they worked together in the same magazine. When Pedro Almodóvar sends Tilda Swinton a script, he asks her who should play Ingrid.
They were both thinking of Julianne Moore
Featured in The 7PM Project: episode 8 September 2024 (2024). The successful writer “Ingrid” (Julianne Moore) is signing several books when one of her friends informs her that her old friend "Martha" (Tilda Swinton) has cancer.
After visiting her in the hospital, she discovers that things are not looking so good and over the next few days, the two begin to grow closer, sharing a trust and becoming quite co-dependent
When the experimental treatment fails, former war reporter "Martha" makes a rather bold proposal to his friend, which will require him to retire to a quiet residence in Woodstock, where she will take matters into her own hands. Rather wary of this plan at first, "Ingrid" must decide whether he wants to help or not – with all the moral and legal consequences that entails, so he turns to the ex-boyfriend of the two women "Damian" (John Turturro) for advice as she struggles with her conscience.
Too much of the dialogue between the two women seems more about filling the audience than building a bond between them
The concept here is really quite moving, especially in light of the revived conversation here in the UK about the rights of the terminally ill to make their own choices without fear of those who leave them being persecuted by the law or zealots, but I can’t say I loved the performance or style. The things they needed to know about each other were presented in a very sterile way and at times I wondered if there wasn’t enough dubbing.
Indeed, the whole thing deals with some serious emotional issues in an incredibly sterile way
Both actors give strong performances, but their dynamic isn’t convincing – well, it wasn’t for me, and the abundance of catchphrases pretty much drowned out the emotional impact the film could have made. Alex Høj Andersen sheds his Viking skin to briefly remind us of the horror of the Vietnam War, but otherwise it mostly boils down to two characters facing a scenario we all fear, just not very convincingly.
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